2013년 11월 28일 목요일

오후 12:41

By Ben Whittier

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About 'hendrix sports'|13 citations....John Coscia, former Sports Editor







About 'hendrix sports'|13 citations....John Coscia, former Sports Editor








               Ｔｈｉｓ               Ｄ.Ａ.

Ｐｅｎｎｅｂａｋｅｒ               ｃｏｎｃｅｒｔ               ｄｏｃｕｍｅｎｔａｒｙ               ｏｆ               ｔｈｅ               1967               Ｍｏｎｔｅｒｅｙ               Ｐｏｐ               Ｆｅｓｔｉｖａｌ               ｆｅａｔｕｒｅｓ               ｍａｎｙ               ｏｆ               ｔｈｅ               ｂｉｇｇｅｓｔ               ｎａｍｅ               ｍｕｓｉｃａｌ               ｐｅｒｆｏｒｍｅｒｓ               ｏｆ               ｔｈｅ               1960ｓ.
               Ｔｈｅ               ｓｔｙｌｅ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｗａｓ               ｕｎｕｓｕａｌ               ａｎｄ               ｉｎｎｏｖａｔｉｖｅ               ｆｏｒ               ｉｔｓ               ｔｉｍｅ.

Ｉｔ'ｓ               ｍｉｎｉｍａｌｉｓｔ               ｉｎ               ｔｈａｔ               ｔｈｅｒｅ               ｉｓ               ｎｏ               ｎａｒｒａｔｉｏｎ,               ｎｏ               ｔｅｘｔ               ｐｒｏｖｉｄｉｎｇ               ｉｎｆｏｒｍａｔｉｏｎ,               ａｎｄ               ｎｏ               ｍｏｒｅ               ｂａｃｋｇｒｏｕｎｄ               ｏｒ               ｃｏｎｔｅｘｔ               ｔｈａｎ               ｗｈａｔ               ｔｈｅ               ｃａｍｅｒａｓ               ｈａｐｐｅｎｅｄ               ｔｏ               ｐｉｃｋ               ｕｐ               ｓｃａｎｎｉｎｇ               ｔｈｅ               ｃｒｏｗｄ,               ｇｅｔｔｉｎｇ               ｓｏｕｎｄ               ｂｉｔｅｓ               ｆｒｏｍ               ｐｅｏｐｌｅ               ａｒｒｉｖｉｎｇ               ｆｏｒ               ｔｈｅ               ｃｏｎｃｅｒｔ,               ｅｔｃ.

Ｔｈｅ               ｏｐｅｎｉｎｇ               ｔｉｔｌｅｓ               ｐｒｏｖｉｄｅ               ａ               ｌｉｓｔ               ｏｆ               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ               ｗｈｏ               ａｐｐｅａｒ               ｉｎ               ｔｈｅ               ｆｉｌｍ;               ｏｔｈｅｒｗｉｓｅ               ｙｏｕ               ｗｏｎ'ｔ               ｋｎｏｗ               ｗｈｏ'ｓ               ｐｌａｙｉｎｇ               ｕｎｌｅｓｓ               ｙｏｕ               ｒｅｃｏｇｎｉｚｅ               ｔｈｅｍ.

(Ｉ               ｋｎｅｗ               ａｂｏｕｔ               60%               ｂｙ               ｓｉｇｈｔ,               ｉｎｆｅｒｒｅｄ               ａｎｏｔｈｅｒ               20%-30%               ｆｒｏｍ               ｒｅｍｅｍｂｅｒｉｎｇ               ｗｈｏ               ｗａｓ               ｏｎ               ｔｈｅ               ｏｐｅｎｉｎｇ               ｌｉｓｔ,               ａｎｄ               ａｍ               ｓｔｉｌｌ               ｕｎｃｅｒｔａｉｎ               ｏｆ               10%-20%.

Ｉｔ               ｗｏｕｌｄ               ｂｅ               ｅａｓｙ               ｅｎｏｕｇｈ               ｔｏ               ｆｉｇｕｒｅ               ｏｕｔ               ａｌｌ               ｏｆ               ｔｈｅｍ               ｔｈｏｕｇｈ,               ｊｕｓｔ               ｂｙ               ｇｏｉｎｇ               ｂａｃｋ               ｔｏ               ｔｈｅ               ｏｐｅｎｉｎｇ               ｌｉｓｔ,               ｓｉｎｃｅ               ｉｔ               ｇｉｖｅｓ               ｔｈｅ               ｎａｍｅｓ               ｉｎ               ｔｈｅ               ｏｒｄｅｒ               ｔｈｅｙ               ａｐｐｅａｒ.)
               Ｗｈａｔ'ｓ               ｍａｙｂｅ               ｅｖｅｎ               ｍｏｒｅ               ｓｔｒｉｋｉｎｇ               ｆｏｒ               ａ               ｃｏｎｃｅｒｔ               ｆｉｌｍ               ｉｓ               ｔｈａｔ               ｔｈｅｙ               ｓｈｏｗ               ｂａｓｉｃａｌｌｙ               ｎｏｔｈｉｎｇ               ｏｆ               ｗｈａｔ               ｈａｐｐｅｎｓ               ｏｎ               ｓｔａｇｅ               ｏｔｈｅｒ               ｔｈａｎ               (ｓｏｍｅ               ｏｆ)               ｔｈｅ               ｓｏｎｇｓ               ｔｈｅｍｓｅｌｖｅｓ.

Ｔｈｅｒｅ               ａｒｅ               ｎｏ               ｉｎｔｒｏｄｕｃｔｉｏｎｓ;               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ               ｄｏｎ'ｔ               ｇｒｅｅｔ               ｔｈｅ               ｃｒｏｗｄ,               ｂａｎｔｅｒ               ｗｉｔｈ               ｔｈｅ               ｃｒｏｗｄ,               ｔｈａｎｋ               ｔｈｅ               ｃｒｏｗｄ,               ｔａｌｋ               ａｂｏｕｔ               ｔｈｅ               ｓｏｎｇｓ               ｂｅｆｏｒｅ               ｏｒ               ａｆｔｅｒ,               ｅｔｃ.

Ｙｏｕ               ｄｏｎ'ｔ               ｇｅｔ               ｔｈａｔ               ｓｅｎｓｅ               ｏｆ               ｉｎｔｅｒａｃｔｉｏｎ               ｂｅｔｗｅｅｎ               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ               ａｎｄ               ｔｈｅ               ａｕｄｉｅｎｃｅ               (ｅｘｃｅｐｔ               ｉｎｓｏｆａｒ               ａｓ               ｔｈｅｒｅ               ａｒｅ               ｒｅａｃｔｉｏｎ               ｓｈｏｔｓ               ｏｆ               ｔｈｅ               ｃｒｏｗｄ               ｄｕｒｉｎｇ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ,               ａｎｄ               ｙｏｕ               ｓｅｅ               ｈｏｗ               ｉｎｔｏ               ｉｔ               ｔｈｅｙ               ａｒｅ,               ｓｏ               ｙｏｕ               ｄｏ               ｇｅｔ               ｔｈｅ               ｓｅｎｓｅ               ｔｈａｔ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｔｈｅｍｓｅｌｖｅｓ               ａｒｅ               ｅｍｏｔｉｏｎａｌｌｙ               ｒｅｓｏｎａｔｉｎｇ               ｗｉｔｈ               ｐｅｏｐｌｅ,               ａｎｄ               ｔｈｅｒｅ'ｓ               ａ               ｃｏｎｎｅｃｔｉｏｎ               ａｔ               ｌｅａｓｔ               ｔｏ               ｔｈａｔ               ｅｘｔｅｎｔ).
               Ｔｈｅ               ｃａｍｅｒａｗｏｒｋ               ｉｓ               ｍｏｓｔｌｙ               ｎｏｔ               ｃｌｅａｒ,               ｓｔｒａｉｇｈｔｆｏｒｗａｒｄ,               ｓｈｏｗｉｎｇ               ｔｈｅ               ｗｈｏｌｅ               ｓｔａｇｅ,               ｓｈｏｗｉｎｇ               ｔｈｉｎｇｓ               ｉｎ               ｅａｓｙ               ｔｏ               ｕｎｄｅｒｓｔａｎｄ               ｐｅｒｓｐｅｃｔｉｖｅ.

Ｉｔ               ｔｅｎｄｓ               ｉｎｓｔｅａｄ               ｔｏ               ｂｅ               ｍｏｒｅ               ａｒｔｓｙ,               ｗｉｔｈ               ｌｏｔｓ               ｏｆ               ｓｕｐｅｒ               ｃｌｏｓｅ-ｕｐｓ,               ｗｅｉｒｄ               ａｎｇｌｅｓ,               ａｎｄ               "ｂａｄ"               ｓｈｏｔｓ               ｌｉｋｅ               ｔｈｅ               ｂａｃｋｓ               ｏｆ               ｐｅｏｐｌｅ'ｓ               ｈｅａｄｓ               ｎｏｔ               ｅｄｉｔｅｄ               ｏｕｔ.

Ｐｌｕｓ               ｆｏｒ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               ａｆｔｅｒ               ｓｕｎｄｏｗｎ,               ｉｔ               ｌｏｏｋｓ               ｌｉｋｅ               ｔｈｅｙ               ｄｉｄｎ'ｔ               ｉｌｌｕｍｉｎａｔｅ               ｔｈｅ               ｓｔａｇｅ               ａｌｌ               ｔｈａｔ               ｍｕｃｈ,               ｓｏ               ｔｈｅｒｅ'ｓ               ａ               ｋｉｎｄ               ｏｆ               ｄａｒｋ               ｌｏｏｋ               ｔｏ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｆｉｌｍ,               ｗｈｅｒｅ               ｙｏｕ               ｃａｎ'ｔ               ｆｕｌｌｙ               ｓｅｅ               ｗｈａｔ'ｓ               ｇｏｉｎｇ               ｏｎ.
               Ｉ               ｔｈｏｕｇｈｔ               ｔｈｅ               ｆｉｌｍ               ｄｉｄ               ａ               ｒｅａｓｏｎａｂｌｙ               ｇｏｏｄ               ｊｏｂ               ｃａｐｔｕｒｉｎｇ               ｔｈｅ               ｏｖｅｒａｌｌ               ｆｅｅｌ               ｏｆ               ｔｈｅ               ｅｖｅｎｔ.

Ｉｔ'ｓ               ａ               ｎｉｃｅ               ｓｎａｐｓｈｏｔ               ｏｆ               ｃｅｒｔａｉｎ               ｅｌｅｍｅｎｔｓ               ｏｆ               ｔｈｅ               '60ｓ.

Ｔｈｅｒｅ'ｓ               ａ               "Ｓｕｍｍｅｒ               ｏｆ               Ｌｏｖｅ,"               "ｆｌｏｗｅｒ               ｐｏｗｅｒ,"               ｆｅｅｌ-ｇｏｏｄ               ａｉｒ               ａｂｏｕｔ               ｔｈｅ               ｐｒｏｃｅｅｄｉｎｇｓ.

Ｙｏｕ               ｅｖｅｎ               ｓｐｏｔ               ａ               ｆｅｗ               ｃｈｉｌｄｒｅｎ               ｉｎ               ｔｈｅ               ｃｒｏｗｄ,               ａｎｄ               ｔｈｅｙ               ｄｏｎ'ｔ               ｓｅｅｍ               ｏｕｔ               ｏｆ               ｐｌａｃｅ               (ａｓ               ｔｈｅｙ               ｃｅｒｔａｉｎｌｙ               ｗｏｕｌｄ               ｈａｖｅ               ｂｅｅｎ,               ｓａｙ,               ｗｈｅｎ               Ｉ               ｆｉｒｓｔ               ｗｅｎｔ               ｔｏ               ｓｔａｄｉｕｍ               ｒｏｃｋ               ｃｏｎｃｅｒｔｓ               ｉｎ               ｔｈｅ               ｌａｔｅ               1970ｓ).

Ｉｔ'ｓ               ｎｏｔ               ａ               ｃａｒｉｃａｔｕｒｅ               ｔｈｏｕｇｈ,               ｌｉｋｅ               ｙｏｕ               ｍｉｇｈｔ               ｇｅｔ               ｉｎ               ａ               ｃｕｒｒｅｎｔ               ｒｅｔｒｏｓｐｅｃｔｉｖｅ               ａｂｏｕｔ               ｔｈｅ               '60ｓ.
               Ｂｕｔ               ｅｖｅｎ               ｔｈｅ               ｓｅｘ               ａｎｄ               ｄｒｕｇｓ               ｓｅｅｍ               ｓｏｍｅｈｏｗ               ｍｏｒｅ               ｉｎｎｏｃｅｎｔ               ａｎｄ               ｏｐｔｉｍｉｓｔｉｃ.

Ｗｈｅｎ               ａ               ｙｏｕｎｇ               ｗｏｍａｎ               ｍａｋｉｎｇ               ｈｅｒ               ｗａｙ               ｔｏ               ｔｈｅ               ｃｏｎｃｅｒｔ               ｓｍｉｌｅｓ               ａｎｄ               ｓａｙｓ               "Ｈａｖｅｎ'ｔ               ｙｏｕ               ｅｖｅｒ               ｂｅｅｎ               ｔｏ               ａ               ｌｏｖｅ-ｉｎ?"               ｉｔ               ｄｏｅｓｎ'ｔ               ｐｕｔ               ｏｎｅ               ｉｎ               ｍｉｎｄ               ｏｆ               ａ               ｒａｕｎｃｈｙ               ｏｒｇｙ.
               Ａｎｄ               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ               ｔｈｅｍｓｅｌｖｅｓ               ｓｅｅｍ               ｔｏ               ｍｏｓｔｌｙ               ｂｅ               ｅｘｕｄｉｎｇ               ｔｈａｔ               ｓａｍｅ               ｐｏｓｉｔｉｖｅ,               ｆｕｎ               ｓｐｉｒｉｔ.
               Ｉｔ'ｓ               ａｎ               ｉｎｔｅｒｅｓｔｉｎｇ               ａｓｓｏｒｔｍｅｎｔ.

Ｆｒｏｍ               ｔｈｅ               Ｍａｍａｓ               ａｎｄ               ｔｈｅ               Ｐａｐａｓ               ｔｏ               Ｏｔｉｓ               Ｒｅｄｄｉｎｇ               ｔｏ               Ｔｈｅ               Ｗｈｏ               ｔｏ               Ｈｕｇｈ               Ｍａｓｅｋｅｌａ               ｔｏ               Ｒａｖｉ               Ｓｈａｎｋａｒ               ａｎｄ               ｏｎ               ａｎｄ               ｏｎ.

(Ｉ'ｍ               ｃｕｒｉｏｕｓ               ｗｈｏ               ｄｉｄｎ'ｔ               ｍａｋｅ               ｔｈｅ               ｃｕｔ               ｔｏ               ｂｅ               ｉｎ               ｔｈｅ               ｍｏｖｉｅ,               ｓｉｎｃｅ               ｔｈｅｙ               ｏｎｌｙ               ｓｈｏｗ               ｍａｙｂｅ               ａ               ｄｏｚｅｎ               ａｃｔｓ,               ａｎｄ               Ｉ               ｈａｖｅ               ｔｈｅ               ｓｅｎｓｅ               ｔｈａｔ               ｍｏｒｅ               ｐｅｏｐｌｅ               ｐｅｒｆｏｒｍｅｄ               ａｔ               ｔｈｉｓ               ｍｕｌｔｉ-ｄａｙ               ｅｖｅｎｔ.)               Ｎｏｔ               ｔｈａｔ               ｎｏｎｅ               ｏｆ               ｔｈｅｓｅ               ａｃｔｓ               ｏｖｅｒｌａｐ               ｗｉｔｈ               ｅａｃｈ               ｏｔｈｅｒ               ａｔ               ａｌｌ,               ｂｕｔ               ｔｈａｔ'ｓ               ａ               ｐｒｅｔｔｙ               ｗｉｄｅ               ｖａｒｉｅｔｙ               ｏｆ               ｍｕｓｉｃａｌ               ｔｙｐｅｓ.

Ａｂｏｕｔ               ａｌｌ               ｔｈｅｙ               ｈａｖｅ               ｉｎ               ｃｏｍｍｏｎ               ｉｓ               ｔｈａｔ               ｔｈｅｙ               ｗｅｒｅ               ａｌｌ               ｑｕｉｔｅ               ｐｏｐｕｌａｒ               ａｔ               ｔｈａｔ               ｔｉｍｅ,               ｂｕｔ               ｔｈｅｙ'ｒｅ               ｓｏ               ｖａｒｉｅｄ               ｔｈａｔ               ｔｈｉｓ               ｆｉｌｍ               ｉｓ               ｍｏｒｅ               ａｎａｌｏｇｏｕｓ               ｔｏ               ｈｉｇｈｌｉｇｈｔｓ               ｏｆ               ｔｈｅ               Ｏｌｙｍｐｉｃｓ               ｔｈａｎ               ｈｉｇｈｌｉｇｈｔｓ               ｏｆ               ｔｈｅ               Ｓｕｐｅｒ               Ｂｏｗｌ.
               Ｉｔ'ｓ               ｐｒｅｔｔｙ               ｓｈｏｒｔ               ｆｏｒ               ａ               ｆｅａｔｕｒｅ               ｆｉｌｍ,               ｓｏ               ａｌｍｏｓｔ               ｅｖｅｒｙｏｎｅ               ｇｅｔｓ               ｏｎｌｙ               ｏｎｅ               ｓｏｎｇ,               ａｎｄ               ｓｏｍｅｔｉｍｅｓ               ｎｏｔ               ｅｖｅｎ               ａ               ｗｈｏｌｅ               ｓｏｎｇ.
               Ｏｆ               ｃｏｕｒｓｅ               ｔｈｅｓｅ               ａｒｅ               ｖｅｒｙ               ｓｕｂｊｅｃｔｉｖｅ               ｒｅａｃｔｉｏｎｓ,               ｂｕｔ               ｎｏｔ               ｓｕｒｐｒｉｓｉｎｇｌｙ               ｓｏｍｅ               ｐｅｒｆｏｒｍａｎｃｅｓ               ｃｏｎｎｅｃｔｅｄ               ｗｉｔｈ               ｍｅ               ｍｏｒｅ               ｔｈａｎ               ｏｔｈｅｒｓ.

Ｉｔ               ｗａｓ               ｋｉｎｄ               ｏｆ               ｎｉｃｅ               ｓｅｅｉｎｇ               ｔｈｅ               Ｍａｍａｓ               ａｎｄ               ｔｈｅ               Ｐａｐａｓ,               ａｎｄ               Ｓｉｍｏｎ               ａｎｄ               Ｇａｒｆｕｎｋｅｌ,               ａｍｏｎｇ               ｏｔｈｅｒｓ.

Ｍｙ               ｍｉｎｄ               ｗａｎｄｅｒｅｄ               ａ               ｂｉｔ               ｗｉｔｈ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｏｎｅｓ               ｗｈｅｒｅ               Ｉ               ｄｉｄｎ'ｔ               ｒｅｃｏｇｎｉｚｅ               ｔｈｅ               ｓｏｎｇ               (ａｎｄ               ｏｃｃａｓｉｏｎａｌｌｙ               ｄｉｄｎ'ｔ               ｒｅｃｏｇｎｉｚｅ               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ).

Ｉ               ｈａｄ               ｍｉｘｅｄ               ｆｅｅｌｉｎｇｓ               ａｂｏｕｔ               ｔｈｅ               ａｒｔｓｙ               ｃａｍｅｒａｗｏｒｋ               ａｎｄ               ａｌｌ               ｔｈｅ               ｃｌｏｓｅ-ｕｐｓ.

Ｉ'ｄ               ｓａｙ               ｉｔ               ｄｅｔｒａｃｔｅｄ               ｆｒｏｍ               ｔｈｉｎｇｓ               ｓｌｉｇｈｔｌｙ               ｍｏｒｅ               ｏｆｔｅｎ               ｔｈａｎ               ｉｔ               ｅｎｈａｎｃｅｄ               ｔｈｅｍ;               ｔｏｏ               ｏｆｔｅｎ               ｉｆ               ｍａｄｅ               ｍｅ               ｍｏｒｅ               ｃｏｎｓｃｉｏｕｓ               ｏｆ               ｔｈｅ               ｆｉｌｍｍａｋｉｎｇ               ｔｈａｎ               ｏｆ               ｔｈｅ               ｃｏｎｔｅｎｔ               ｉｔｓｅｌｆ.
               Ｔｈｅ               ｆｉｌｍ               ｐｉｃｋｓ               ｕｐ               ｉｎ               ｉｎｔｅｎｓｉｔｙ               ａｒｏｕｎｄ               ｔｈｅ               ｍｉｄｗａｙ               ｐｏｉｎｔ.

Ｏｎｅ               ｏｆ               ｔｈｅ               ａｃｔｓ               ｆｒｏｍ               ｔｈａｔ               ｐａｒｔ               ｏｆ               ｔｈｅ               ｆｉｌｍ               ｉｓ               Ｔｈｅ               Ｗｈｏ,               ｗｈｏ               ｇｉｖｅ               ａ               ｓｐｉｒｉｔｅｄ               ｐｅｒｆｏｒｍａｎｃｅ,               ｂｕｔ               ｍａｙｂｅ               ａ               ｌｉｔｔｌｅ               "ｂｙ               ｔｈｅ               ｂｏｏｋ."               Ｔｈｅｙ               ｆａｌｌ               ｂａｃｋ               ｏｎ               ａ               ｓｔａｎｄａｒｄ               ｆｒｏｍ               ｓｅｖｅｒａｌ               ｙｅａｒｓ               ｅａｒｌｉｅｒ-Ｍｙ               Ｇｅｎｅｒａｔｉｏｎ-ａｎｄ               ｓｍａｓｈ               ｔｈｅｉｒ               ｉｎｓｔｒｕｍｅｎｔｓ               ａｔ               ｔｈｅ               ｅｎｄ,               ｗｈｉｃｈ               ｗａｓ               ｔｈｅｉｒ               ｗｏｎｔ.

Ｉｔ'ｓ               ｋｉｎｄ               ｏｆ               ｌｉｋｅ               ｔｈｅｙ'ｒｅ               ｔｒｙｉｎｇ               ｔｏ               ｇｉｖｅ               ａ               ｈａｒｄｅｒ               ｅｄｇｅ               ｔｏ               ｔｈｅ               ｐｒｏｃｅｅｄｉｎｇｓ,               ｏｆｆｅｒｉｎｇ               ｕｐ               ｓｏｍｅｔｈｉｎｇ               ａ               ｂｉｔ               ｉｎｃｏｎｇｒｕｏｕｓ               ｗｉｔｈ               ｔｈｅ               "ｐｅａｃｅ               ａｎｄ               ｌｏｖｅ"               ｏｆ               ｍｏｓｔ               ｏｆ               ｔｈｅ               ｏｔｈｅｒ               ａｃｔｓ.

Ｗｈｉｃｈ               ｉｓ               ｆｉｎｅ,               ｂｕｔ               Ｉ               ｔｈｉｎｋ               Ｉ               ｗｏｕｌｄ               ｈａｖｅ               ｂｅｅｎ               ｍｏｒｅ               ｉｍｐｒｅｓｓｅｄ               ｂｙ               ｔｈａｔ               ｃｈａｎｇｅ               ｉｎ               ｓｔｙｌｅ               ｉｆ               ｉｔ               ｈａｄ               ｆｅｌｔ               ｌｉｋｅ               ｈｏｎｅｓｔ,               ｓｐｏｎｔａｎｅｏｕｓ               ｅｍｏｔｉｏｎ,               ｒａｔｈｅｒ               ｔｈａｎ               ｊｕｓｔ               ｔｈｅｉｒ               ｕｓｕａｌ               ｐｒｅ-ｐｌａｎｎｅｄ               ｓｈｔｉｃｋ.

(Ｋｅｉｔｈ               Ｍｏｏｎ               ｉｓ               ｅｎｇａｇｉｎｇ,               ｈｏｗｅｖｅｒ.

Ｈａｓ               ａｎｙｏｎｅ               ｅｖｅｒ               ｇｏｔｔｅｎ               ｍｏｒｅ               ｐｕｒｅ               ｊｏｙ               ｏｕｔ               ｏｆ               ｐｌａｙｉｎｇ               ｒｏｃｋ               ａｎｄ               ｒｏｌｌ?)
               Ｊｉｍｉ               Ｈｅｎｄｒｉｘ               ｇｉｖｅｓ               ａ               ｓｔａｎｄｏｕｔ,               ｐｏｗｅｒｆｕｌ               ｐｅｒｆｏｒｍａｎｃｅ.

Ｔｈｅ               ｅｘａｇｇｅｒａｔｅｄ               ａｎｄ               ｕｎｓｕｂｔｌｅ               ｓｅｎｓｕａｌｉｔｙ               ｏｆ               ｉｔ               (ｂａｓｉｃａｌｌｙ               ｈｕｍｐｉｎｇ               ｈｉｓ               ｇｕｉｔａｒ,               ｈｕｍｐｉｎｇ               ｔｈｅ               ａｉｒ,               ｅｔｃ.)               ｉｓ               ｐｒｏｂａｂｌｙ               ａｂｏｕｔ               ａｓ               ｆａｒ               ａｓ               ｏｎｅ               ｃｏｕｌｄ               ｇｏ               ｗｉｔｈｏｕｔ               ｄｒａｗｉｎｇ               ａｎ               Ｘ               ｒａｔｉｎｇ               ｆｏｒ               ｔｈｅ               ｆｉｌｍ.

Ａｔ               ｔｈｅ               ｓａｍｅ               ｔｉｍｅ,               Ｉ               ｗａｓ               ｓｔｒｕｃｋ               ｂｙ               ｈｉｓ               ｐｌａｙｆｕｌｎｅｓｓ               ｏｎ               ｓｔａｇｅ.

Ｉｔ'ｓ               ｎｏｔ               ｊｕｓｔ               ａ               ｒａｗ,               ｔｈｒｅａｔｅｎｉｎｇ               ｂｌａｃｋ               ｍａｎ,               ｍａｃｈｏ,               ｉｎ               ｙｏｕｒ               ｆａｃｅ,               ｋｉｎｄ               ｏｆ               ｓｅｘｕａｌｉｔｙ;               ｔｈｅｒｅ'ｓ               ａ               ｓｐｉｒｉｔ               ｏｆ               ｆｕｎ               ａｎｄ               ｌｉｇｈｔ-ｈｅａｒｔｅｄｎｅｓｓ               ｔｏ               ｈｉｓ               ｔｏｎｅ               ｏｆ               ｖｏｉｃｅ               ａｎｄ               ｔｈｅ               ｗａｙ               ｈｅ               ｇｅｓｔｕｒｅｓ               ｔｏ               ｔｈｅ               ｃｒｏｗｄ.
               Ｉｔ'ｓ               ｍａｙｂｅ               ｔｈｅ               ｓｅｃｏｎｄ               ｍｏｓｔ               ｅｆｆｅｃｔｉｖｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｓｈｏｗｎ.

Ｗｈａｔ               ｋｅｅｐｓ               ｍｅ               ｆｒｏｍ               ｌａｂｅｌｉｎｇ               ｉｔ               ａｓ               ｔｈｅ               ｈｉｇｈｌｉｇｈｔ               ｏｆ               ｔｈｅ               ｍｏｖｉｅ               ｉｓ               ｔｈａｔ               ｔｈｅｒｅ'ｓ               ｓｔｉｌｌ               ａ               ｓｅｌｆ-ｃｏｎｓｃｉｏｕｓｎｅｓｓ               ｔｏ               ｉｔ,               ａ               ｓｅｎｓｅ               ｔｈａｔ               ｈｅ'ｓ               ｉｎ               ｃｏｎｔｒｏｌ               ａｎｄ               ｉｔ'ｓ               ａｌｌ               ａ               ｓｈｏｗ.

Ｉｔ'ｓ               ｖｅｒｙ               ｓｋｉｌｌｅｄ,               ｖｅｒｙ               ｐｏｗｅｒｆｕｌ               ｓｈｏｗｍａｎｓｈｉｐ,               ｂｕｔ               ｎｏｔ               ｑｕｉｔｅ               ｒｅａｌ               ｅｎｏｕｇｈ               ｔｏ               ｂｌｏｗ               ｍｅ               ａｗａｙ.
               Ｒａｖｉ               Ｓｈａｎｋａｒ               ｉｓ               ｈａｎｄｌｅｄ               ｐｅｃｕｌｉａｒｌｙ.

Ｔｈｅｙ               ｃｈｏｏｓｅ               ｔｏ               ｃｌｏｓｅ               ｔｈｅ               ｍｏｖｉｅ               ｗｉｔｈ               ｈｉｍ               (ｐｅｒｈａｐｓ               ｂｅｃａｕｓｅ               ｔｈｅ               ｃｏｎｃｅｒｔ               ｃｌｏｓｅｄ               ｗｉｔｈ               ｈｉｍ,               ａｎｄ               ｔｈｅｙ               ｓｈｏｗ               ｔｈｅ               ａｃｔｓ               ｉｎ               ｃｈｒｏｎｏｌｏｇｉｃａｌ               ｏｒｄｅｒ-Ｉ'ｍ               ｎｏｔ               ｓｕｒｅ).

Ｈｉｓ               ｉｎｓｔｒｕｍｅｎｔａｌ               ｇｏｅｓ               ｏｎ               ａｎｄ               ｏｎ               ａｎｄ               ｏｎ,               ｆｏｒ               ａ               ｄｏｚｅｎ               ｍｉｎｕｔｅｓ               ｏｒ               ｍｏｒｅ,               ｗａｙ               ｌｏｎｇｅｒ               ｔｈａｎ               ｔｈｅ               ｔｉｍｅ               ａｌｌｏｔｔｅｄ               ｔｏ               ａｎｙ               ｏｔｈｅｒ               ｐｅｒｆｏｒｍｅｒ               ｉｎ               ｔｈｅ               ｍｏｖｉｅ.

Ａｎｄ               ｆｏｒ               ｔｈｅ               ｆｉｒｓｔ               ｈａｌｆ               ｏｒ               ｓｏ               ｏｆ               ｉｔ,               ｈｅ'ｓ               ｎｅｖｅｒ               ｓｈｏｗｎ.

Ｉｎｓｔｅａｄ               ｉｔ'ｓ               ａｌｌ               ｓｈｏｔｓ               ｏｆ               ｔｈｅ               ａｕｄｉｅｎｃｅ               ａｎｄ               ｓｕｃｈ,               ｔｏ               ｔｈｅ               ｐｏｉｎｔ               ｗｈｅｒｅ               Ｉ               ｗａｓ               ｗｏｎｄｅｒｉｎｇ               ｉｆ               ｔｈｅｒｅ               ｗａｓ               ｓｏｍｅ               ｗｅｉｒｄ               ｃｏｎｔｒａｃｔｕａｌ               ｔｈｉｎｇ               ｔｈａｔ               ｈｅ               ｃｏｕｌｄｎ'ｔ               ｂｅ               ｓｈｏｗｎ               ｉｎ               ｔｈｅ               ｍｏｖｉｅ.

Ｔｈｅｎ               ｗｈｅｎ               ｔｈｅｙ               ｆｉｎａｌｌｙ               ｄｏ               ｓｈｏｗ               ｈｉｍ               (ａｎｄ               ｔｈｅ               Ｉｎｄｉａｎ               ｍｕｓｉｃｉａｎｓ               ｗｉｔｈ               ｈｉｍ),               ｉｔ'ｓ               ａｌｌ               ｉｎ               ｔｈａｔ               ｓｕｐｅｒ               ｃｌｏｓｅ-ｕｐ               ｓｔｙｌｅ.

Ｉｔ'ｓ               ｎｏｔ               ｕｎｔｉｌ               ｔｈｅ               ｓｏｎｇ               ｉｓ               ｏｖｅｒ               ｔｈａｔ               ｔｈｅｙ               ｆｉｎａｌｌｙ               ｐｕｌｌ               ｂａｃｋ               ａｎｄ               ｓｈｏｗ               ｔｈｅ               ｓｔａｇｅ               ａｎｄ               ｙｏｕ               ｇｅｔ               ａ               ｂｅｔｔｅｒ               ｐｅｒｓｐｅｃｔｉｖｅ               ｏｆ               ｗｈａｔ               ｔｈｅｙ               ｌｏｏｋｅｄ               ｌｉｋｅ               ｕｐ               ｔｈｅｒｅ.
               Ｉｔ'ｓ               ｎｏｔ               ｂａｄ,               ｂｕｔ               Ｉ               ｄｏｎ'ｔ               ｔｈｉｎｋ               Ｉ               ｗｏｕｌｄ               ｈａｖｅ               ｄｏｎｅ               ｉｔ               ｔｈａｔ               ｗａｙ.

Ｔｈｅｙ               ｇｅｔ               ａ               ｌｉｔｔｌｅ               ｔｏｏ               ｃｕｔｅ               ｗｉｔｈ               ｔｈａｔ,               ｐｌｕｓ               Ｉ'ｍ               ｎｏｔ               ｓｕｒｅ               ｗｈｙ               ｈｅ               ｗａｒｒａｎｔｅｄ               ｓｏ               ｍｕｃｈ               ｍｏｒｅ               ｔｉｍｅ               ｔｈａｎ               ｔｈｅ               ｏｔｈｅｒｓ.

(Ｎｏｔ               ｔｈａｔ               Ｉ               ｑｕａｒｒｅｌ               ｗｉｔｈ               ｈｏｗ               ｍｕｃｈ               ｔｉｍｅ               ｔｈｅｙ               ｇａｖｅ               ｈｉｍ.

Ｉ'ｄ               ｐｒｏｂａｂｌｙ               ｒａｔｈｅｒ               ｔｈｅ               ｍｏｖｉｅ               ｂｅ               ｅｘｐａｎｄｅｄ               ａｎｄ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｏｔｈｅｒ               ａｃｔｓ               ｇｉｖｅｎ               ｍｏｒｅ               ｔｉｍｅ,               ｔｈａｎ               ｔｈａｔ               ｔｈｅ               Ｓｈａｎｋａｒ               ｓｅｇｍｅｎｔ               ｂｅ               ｒｅｄｕｃｅｄ               ｉｎ               ｌｅｎｇｔｈ.)
               Ｂｕｔ               ｔｈｅ               ｈａｎｄｓ               ｄｏｗｎ               ｈｉｇｈｌｉｇｈｔ               ｏｆ               ｔｈｅ               ｍｏｖｉｅ               ｉｓ               Ｊａｎｉｓ               Ｊｏｐｌｉｎ'ｓ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｆ               Ｂａｌｌ               ａｎｄ               Ｃｈａｉｎ.
               Ｗｏｗ.

Ｂｒｉｎｇ               ｏｎ               ｔｈｅ               ｃｌｉｃｈｓ.

"Ｗｏｒｔｈ               ｔｈｅ               ｐｒｉｃｅ               ｏｆ               ａｄｍｉｓｓｉｏｎ,"               "Ｂｒｉｎｇｓ               ｄｏｗｎ               ｔｈｅ               ｈｏｕｓｅ,"               ｅｔｃ.

Ｉ'ｍ               ｒｅｍｉｎｄｅｄ               ｅｖｅｎ               ｏｆ               ｓｐｏｒｔｓ               ｃｌｉｃｈｓ.

Ｐｅｏｐｌｅ               ｔａｌｋ               ａｂｏｕｔ               ｗｈｅｔｈｅｒ               ｙｏｕ               ｗｉｎ               ｏｒ               ｌｏｓｅ,               ｙｏｕ               ａｌｗａｙｓ               ｗａｎｔ               ｔｏ               ｋｎｏｗ               ｙｏｕ               "ｌｅｆｔ               ｅｖｅｒｙｔｈｉｎｇ               ｏｎ               ｔｈｅ               ｆｉｅｌｄ"               ｗｈｅｎ               ｔｈｅ               ｇａｍｅ'ｓ               ｏｖｅｒ.

Ｔｈａｔ'ｓ               Ｊｏｐｌｉｎ               ｗａｌｋｉｎｇ               ｏｆｆ               ｔｈｅ               ｓｔａｇｅ               ａｆｔｅｒ               ｔｈａｔ               ｓｏｎｇ.
               Ｔｈｅ               ｒａｗ               ｉｎｔｅｎｓｉｔｙ,               ｔｈｅ               ｗａｉｌｉｎｇ               ｅｍｏｔｉｏｎａｌｉｓｍ               ｏｆ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ,               ｉｓ               ｍｅｓｍｅｒｉｚｉｎｇ.

Ｓｈｅ'ｓ               ｓｏ               ｗｉｌｌｉｎｇ               ｔｏ               ｌａｙ               ｉｔ               ａｌｌ               ｏｕｔ               ｔｈｅｒｅ,               ｔｏ               ｌｏｓｅ               ｈｅｒｓｅｌｆ               ｉｎ               ｔｈｅ               ｅｘｐｅｒｉｅｎｃｅ,               ｉｔ'ｓ               ｌｉｋｅ               ｙｏｕ'ｒｅ               ｗａｔｃｈｉｎｇ               ｓｏｍｅ               ｃｏｍｂｉｎａｔｉｏｎ               ｏｆ               ａ               ｓｈａｔｔｅｒｉｎｇ               ｏｒｇａｓｍ               ａｎｄ               ａ               ｐｅｒｓｏｎ               ｓｈｒｉｅｋｉｎｇ               ｉｎ               ｒｅｓｐｏｎｓｅ               ｔｏ               ｔｈｅ               ｎｅｗｓ               ｔｈａｔ               ａ               ｌｏｖｅｄ               ｏｎｅ               ｈａｓ               ｄｉｅｄ.

Ｉｔ               ｈａｓ               ｍｏｒｅ               ｏｆ               ａ               ｇｅｎｕｉｎｅ               ｆｅｅｌ               ｔｏ               ｉｔ               ｔｈａｎ               ｅｖｅｎ               ｔｈｅ               ｂｅｓｔ               ｏｆ               ｔｈｅ               ｖｅｒｙ               ｇｏｏｄ,               ｖｅｒｙ               ｉｎｔｅｎｓｅ,               ｐｅｒｆｏｒｍａｎｃｅｓ               ｏｆ               Ｈｅｎｄｒｉｘ               ａｎｄ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｏｔｈｅｒｓ.
               Ｉ               ｈａｖｅ               ｔｈｉｓ               ｌｉｖｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｏｎ               ａ               Ｊａｎｉｓ               Ｊｏｐｌｉｎ               ＣＤ,               ａｎｄ               ｔｈｅ               ｔｒａｃｋ               ｒｕｎｓ               ｏｖｅｒ               ｅｉｇｈｔ               ｍｉｎｕｔｅｓ.

Ｓｏ               ｍｙ               ｏｎｅ               ｃｏｍｐｌａｉｎｔ               ｉｓ               ｔｈｅｙ               ｃｈｏｐ               ｉｔ               ｄｏｗｎ               ｉｎ               ｔｈｅ               ｍｏｖｉｅ               (ｗｈｉｃｈ               ａｇａｉｎ               ｓｔａｎｄｓ               ｉｎ               ｃｏｎｔｒａｓｔ               ｔｏ               ｔｈｅ               ｖｅｒｙ               ｌｏｎｇ               Ｒａｖｉ               Ｓｈａｎｋａｒ               ｓｏｎｇ).

Ｂｕｔ               ｏｔｈｅｒｗｉｓｅ,               Ｉ               ｔｈｉｎｋ               ｔｈｅ               ｆｉｌｍｍａｋｉｎｇ               ｅｎｈａｎｃｅｓ               ｔｈｉｓ               ｐｅｒｆｏｒｍａｎｃｅ.

Ｉ               ｔａｌｋｅｄ               ａｂｏｕｔ               ｈｏｗ               ｉｎ               ｇｅｎｅｒａｌ               Ｉ               ｅｘｐｅｒｉｅｎｃｅｄ               ｔｈｅ               ｕｎｃｏｎｖｅｎｔｉｏｎａｌ               ｃａｍｅｒａｗｏｒｋ               ａｎｄ               ｓｕｃｈ               ａｓ               ｎｅｕｔｒａｌ               ｔｏ               ｍｉｌｄｌｙ               ｎｅｇａｔｉｖｅ,               ｂｕｔ               ｐｅｒｈａｐｓ               ｉｔ               ｔａｋｅｓ               ａ               ｐｅｒｆｏｒｍａｎｃｅ               ｌｉｋｅ               ｔｈｉｓ               ｔｏ               ｒｅａｌｌｙ               ｗａｒｒａｎｔ               ｔｈａｔ               ｔｒｅａｔｍｅｎｔ.
               Ｆｏｒ               ｍｏｓｔ               ｏｆ               ｔｈｅ               ｏｔｈｅｒ               ｓｏｎｇｓ,               Ｉ'ｄ               ｐｒｏｂａｂｌｙ               ｈａｖｅ               ｐｒｅｆｅｒｒｅｄ               ｍｏｓｔｌｙ               ｎｏｒｍａｌ               ｓｈｏｔｓ               ｏｆ               ｔｈｅ               ｓｔａｇｅ               ｗｈｅｒｅ               ｙｏｕ               ｃａｎ               ｓｅｅ               ｅｖｅｒｙｏｎｅ               ａｎｄ               ｓｅｅ               ｗｈａｔ'ｓ               ｇｏｉｎｇ               ｏｎ,               ｗｉｔｈ               ｍａｙｂｅ               ｏｃｃａｓｉｏｎａｌ               ｃｌｏｓｅ-ｕｐｓ               ｆｏｒ               ｖａｒｉｅｔｙ.

Ｂｕｔ               ｆｏｒ               Ｂａｌｌ               ａｎｄ               Ｃｈａｉｎ               ｓｏｍｅｈｏｗ               ｔｈｅ               ｗａｙ               ｉｔ               ｗａｓ               ｆｉｌｍｅｄ,               ｔｈｅ               ｃｌｏｓｅ-ｕｐｓ               ｏｆ               ｔｈｅ               ｅｍｏｔｉｏｎ               ｉｎ               ｈｅｒ               ｆａｃｅ,               ｆｉｔ               ｔｈｅ               ｐｏｗｅｒ               ｏｆ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ.
               Ｔｗｉｃｅ               ｔｈｅｒｅ               ａｒｅ               ｃｌｏｓｅ-ｕｐｓ               ｆｏｒ               ｓｅｖｅｒａｌ               ｓｅｃｏｎｄｓ               ｏｆ               ｈｅｒ               ｆｅｅｔ               ｏｎ               ｓｔａｇｅ.

Ｎｏｒｍａｌｌｙ               Ｉ'ｄ               ｒｏｌｌ               ｍｙ               ｅｙｅｓ               ａｔ               ｓｏｍｅｔｈｉｎｇ               ｌｉｋｅ               ｔｈａｔ               ａｓ               ｔｏｏ               ａｒｔｓｙ,               ｂｕｔ               ｉｔ               ｗｏｒｋｓ               ｈｅｒｅ.

Ｉｔ               ｐｕｔ               ｍｅ               ｉｎ               ｍｉｎｄ               ｏｆ               Ｍｕｈａｍｍａｄ               Ａｌｉ'ｓ               ｐｈｙｓｉｃｉａｎ               Ｆｅｒｄｉｅ               Ｐａｃｈｅｃｏ               ｃｏｍｍｅｎｔｉｎｇ               ｔｈａｔ               ｗｈｅｎ               Ａｌｉ               ｒｅａｌｌｙ               ｗａｎｔｓ               ｔｏ               ｓｅｔ               ｄｏｗｎ               ｏｎ               ｈｉｓ               ｐｕｎｃｈｅｓ               ａｎｄ               ｍａｘｉｍｉｚｅ               ｔｈｅｉｒ               ｐｏｗｅｒ,               ｙｏｕ               ｃａｎ               ｓｅｅ               ｈｉｓ               ｆｅｅｔ               ｃｕｒｌｉｎｇ               ｓｌｉｇｈｔｌｙ               ａｎｄ               ｈｉｓ               ｔｏｅｓ               ｇｒｉｐｐｉｎｇ               ｔｈｅ               ｃａｎｖａｓ.

Ｙｏｕ               ｇｅｔ               ｔｈａｔ               ｓａｍｅ               ｓｅｎｓｅ               ｆｒｏｍ               ｔｈｏｓｅ               ｓｈｏｔｓ               ｏｆ               Ｊｏｐｌｉｎ,               ｔｈａｔ               ｓｈｅ'ｓ               ｄｉｇｇｉｎｇ               ｄｏｗｎ               ｔｏ               ｈｅｒ               ｖｅｒｙ               ｔｏｅｓ,               ｃｌｅｎｃｈｉｎｇ               ｅｖｅｒｙ               ｍｕｓｃｌｅ               ｕｐ               ｔｈｒｏｕｇｈ               ｈｅｒ               ｌｅｇｓ,               ｔｏ               ｂｅｌｔ               ｏｕｔ               ｔｈａｔ               ｓｏｎｇ               ｗｉｔｈ               ｅｖｅｒｙｔｈｉｎｇ               ｓｈｅ'ｓ               ｇｏｔ.
               Ｔｈｅ               ｅｍｏｔｉｏｎ               ｉｓｎ'ｔ               ｊｕｓｔ               ｉｎ               ｈｅｒ               ｆａｃｅ,               ｂｕｔ               ｔｈｒｏｕｇｈｏｕｔ               ｈｅｒ               ｂｏｄｙ,               ｔｈｒｏｕｇｈｏｕｔ               ｈｅｒ               ｂｅｉｎｇ.
               Ｔｈｅｒｅ'ｓ               ａ               ｗｏｎｄｅｒｆｕｌ               ｒｅａｃｔｉｏｎ               ｓｈｏｔ               ｏｆ               Ｍａｍａ               Ｃａｓｓ               ｉｎ               ｔｈｅ               ａｕｄｉｅｎｃｅ               (ｉｔ'ｓ               ｉｎｔｅｒｅｓｔｉｎｇ               ｈｏｗ               ｓｏｍｅ               ｏｆ               ｔｈｅ               ｐｅｒｆｏｒｍｅｒｓ               ｃａｎ               ｂｅ               ｓｅｅｎ               ｉｎ               ｔｈｅ               ａｕｄｉｅｎｃｅ               ｗｈｉｌｅ               ｏｔｈｅｒ               ａｃｔｓ               ａｒｅ               ｏｎ               ｓｔａｇｅ)               ｗｉｔｈ               ｈｅｒ               ｍｏｕｔｈ               ａｇａｐｅ,               ｗａｔｃｈｉｎｇ               Ｊｏｐｌｉｎ               "ｌｅａｖｅ               ｅｖｅｒｙｔｈｉｎｇ               ｏｎ               ｔｈｅ               ｆｉｅｌｄ."               Ｊｕｓｔ               ｒｉｇｈｔ.
               Ｔｈｉｓ               ｉｓ               ｔｈｅ               ｐｅｒｆｏｒｍａｎｃｅ               ｙｏｕ               ｗａｎｔ               ｆｏｒ               ｔｈｅ               ｔｉｍｅ               ｃａｐｓｕｌｅ,               ｔｏ               ｓｈｏｗ               ｗｈａｔ               ｒｏｃｋ               ａｎｄ               ｒｏｌｌ,               ｗｈａｔ               ｔｈｅ               ｂｌｕｅｓ,               ｃａｎ               ｂｅ.
               Ｗｏｗ.






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      ...representation of the power dynamics of the various sports industries. King’s Landing...out the map, illustrated by John Hendrix, below: Image Credit: Illustrated by...
    10. tstos.wordpress.com/   11/03/2012
      ... ago Kurt Warner was on a sports radio show and was asked whether..., HUGE impact. What does Jimi Hendrix, Jim Morrison and Kurt Cobain have in common...



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